Download Electronic Music by Nick Collins, Margaret Schedel, Scott Wilson PDF
By Nick Collins, Margaret Schedel, Scott Wilson
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From the Preface :
This e-book illustrates a suite of track manuscripts which was once made lately to learn the basis for modern functionality Arts. the gathering was firm through conditions instead of any means of choice. hence it indicates the numerous instructions within which song notation is now going. The manuscripts aren't prepared in response to types of tune, yet alphabetically based on the composer's identify. No explanatory info is given.
The textual content for the e-book is the results of a approach utilizing I-Ching likelihood operations. those made up our minds what percentage phrases relating to his paintings have been to be written through or approximately which of 2 hundred and sixty-nine composers. the place those passages (never greater than sixty-four phrases, occasionally just one) were particularly written for this ebook, they're preceded via a paragraph signal and by way of the author's identify. different comments have been selected or written by means of the editors - John Cage and Alison Knowles. not just the variety of phrases and the writer, however the typography too - letter measurement, depth, and typeface - have been all decided by accident operations. This method used to be in an effort to reduce the variation among textual content and illustrations. The composition of the pages is the paintings of Alison Knowles.
A precedent for the textual content is the Questionnaire. (The composers have been requested to write down approximately notation or some· factor suitable to it. ) A precedent for the absence of knowledge which characterizes this publication is the modern aquarium (no longer a gloomy hallway with every one species in its personal illuminated tank separated from the others and named in Latin): a wide glass condo with the entire fish in it swimming as in an ocean. the gathering of manuscripts constitutes an archive, the contents of that are indexed on the finish of this ebook. The editors are thankful to the various composers and tune publishers who've made this presentation of mid-twentieth century song notation attainable.
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Additional info for Electronic Music
Where film editing machines were out of the reach of anyone but professional cinema trade sound engineers, new tape machines were accessible to dedicated engineer-musicians. Despite many precedents in art music, radio art, and cinema sound, electronic music history texts tend to focus on the school of musique concrète established by Pierre Schaeffer. Working in Paris at Radiodiffusion-Télévision Française (RTF) since the early 1940s, Schaeffer had his breakthrough year in 1948, using turntables as a compositional medium.
Acoustic recording has some of the most charming images, with musicians clustered around the horn of the recording device. In many early sessions, louder instruments like brass were often substituted for quieter strings merely in order to get adequate power of vibration to the incising needle. The notion of “acoustic recording” was gradually superseded by electrical in a number of stages, including electric motors to drive the turning of the player (rather than manual winding) and electrical amplification as a stage in disc cutting.
Chapter 1 Introduction Welcome to an exploration of electronic music, in many places and many guises. In societies tracking technological developments, the role of electricity in music has had a great impact on musical production and consumption, a musical influence as worldwide as the network of telecommunications. It has changed the balance of the instruments most commonly practiced, for example, toward electric guitars, turntables, and arguably the computer itself, and promoted an emphasis on recordings as the driver of mass musical contact.